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CREATING AN ART CULTURE IN YOUR COMMUNITY

Published August 19, 2019 by Gail Daley Writer & Artist

Do you live in a community that supports the arts? The sad fact is that art-wise, not all communities are created equal. In California for instance the Bay and Central Coastal areas are a lot more “arty” than the Central Valley. I live in one of these “art challenged” areas of California and for many years I listened to my fellow artists whine (yes, I said whine!) about needing to travel to the coast to find buyers for their work. It is true that there are very few galleries catering to local artists here in Fresno and Clovis. All the galleries here only show art by dead masters or don’t open their doors to local artists (Fresno Art Museum) or they are privately owned by one artist or by co-op groups of artists. These galleries do an excellent job of helping to create a local art culture, but most of them are full.

Since moving to the coast wasn’t an option (my husband’s pool service business is located in Fresno), I decided to become proactive about the situation. I decided I needed another option to show my art.

It seemed to me that the chief issue was the general opinion apparently held by the public that my community didn’t have prominent artists. This is simply not true; while a Thomas Kincade or a Bev Doolittle doesn’t live here, Fresno, Clovis and the surrounding cities in the Central Valley are home to national and internationally known artists. We also have many very talented local artists. The big secret is no one knows it. So how do we as artists raise the social awareness of art in our communities? After some consideration, I realized that the best way to raise art awareness was to put art out in places where John and Mary Public would see it. We do have a monthly art event here called Art Hop, where the public is encouraged to tour as many galleries, restaurants and businesses who show art. This would be a wonderful opportunity to raise art awareness if we could persuade our local schools to participate. Unfortunately, the sad fact is that except for a small percentage of the population John and Mary Pubic are too busy working non-stop or taking their children to sports activities and have very little time to take in local galleries. They will however, take their children to the library. If art is displayed in that library, it gives parents and children the opportunity to recognize and see the local art culture. Historically, libraries have always been centers of the arts and culture for society. Artists who support this by displaying their art in the library are doing a great service to the community. Even though artists might not make many sales displaying art in the libraries, our contributions to the art and culture of the area is immense. When we put our art in the library, we not only remind the public what talented, creative artists live here, but how much we care about the community as a whole. One of the things artists contribute to our community as is culture. By displaying our stuff in the libraries, we bring art to life for the general public. Although it is not directly about sales, one of the ways that we artists in Fresno and Clovis convince the buying public how wonderful is our art and photography (and indirectly to buy that art) is the development of a reputation for being a center of art and culture. Sometimes we have to give before we can get.

 

COMMON AUDIT ISSUES FOR ARTISTS & GALLERIES

Published August 12, 2019 by Gail Daley Writer & Artist

By the Practical Artist

Information for this blog was taken from REG 121584-05 page 523 http://www.irs.gov/businesses/small/article/0,,id=254019,00.html– 77.3KB

 

Probably the one agency that terrifies Americans the most is not the NSA, but the IRS and being audited by the IRS ranks up there with being on some mobster’s hit list. The best way to avoid being audited is to know what items will considered red flags by the IRS. The following are a few audit issues looked at by the IRS that may be found in the examination of an art gallery or home studio.

Unreported income through cashed checks from galleries to the artists leading to related returns to be examined;

Barter transactions between artists and others in the art field;

Taxability and inventory assessment issues for trades between gallery owners and artists;

Avoidance of state sales taxes;

Treatment of ordinary income as capital gains by mischaracterizing inventory as investments;

Identification of sources who failed to file/report transactions through “cost of goods sold” by studying cancelled checks and payment/transaction records;

Framing costs not properly recorded;

A History of losses or very high travel and entertainment costs with low gross receipts suggesting potential Activity Not Engaged in for Profit pursuant to I.R.C. § 183;

Sales of artwork disguised as “loans” secured by art as collateral and possible “money laundering”;

Other “financial status” indicators which show an artist’s or gallery owner’s reported income is incompatible to his or her lifestyle;

Potential issue on Non Resident Alien Artist, Art Galleries, Dealers and Brokers (International Referral Required);

Artwork being deducted as a charitable contribution at fair market value rather than adjusted cost basis and/or not being taken out of cost of sales;

Business use of the home.

If the gallery purchases its inventory, there should be a very detailed inventory listing showing the purchase date, the purchase price, any restoration and framing costs, the sales date, and price.

If the gallery sells on consignment, there will be a system in place to track consigned items. This system will generally contain the artist’s name, his or her address, a description of artwork, the date on which the artwork was received by the gallery, the asking price by the artist, and any other specific terms. It also indicates the date the piece was sold, the sales price, and terms of the sale.

The sales invoice for an art piece needs to  display the buyer’s name, address, date of sale, amount paid (if not fully paid), terms of any installment plan, sales tax, shipping charges, and framing charges if it is the type of artwork that would require framing.

Since artists are not offering a service, galleries are not required to complete a Form 1099 for the payments made. However, artists should receive a consignment check either monthly, at the time of sale, or at a time specified in an agreement between the artist and the gallery.

The best way to keep issues like those above from impacting your career as an artist is to keep good records for your home studio/gallery. If you sell your art, it is considered income and over a certain amount, it must be reported as such to the IRS on your federal taxes. If you participate in a booth event, you are usually required to have a seller’s permit, collect sales tax, and then report and pay that sales tax to the State.  Art is a business as well as a creative endeavor. Losing your art can be a financial loss. Not being aware of losing money because you don’t keep track of costs can create a huge problem.

Hey, relax; this isn’t as difficult as it sounds! Let’s take this one step at a time, using one piece of work. Step one: decide in what form you are going to keep your work log.While it is very helpful to have this information stored on a computer, artists were tracking their work using paper files long before computers became popular. I personally prefer using a computer worksheet, however, all of this stuff can be put on a sheet of paper and kept in a binder. For the initial record, I recommend a single sheet or worksheet per art piece. (Please see the Art Information Sheet in the Sample section)

ITEM 1—a pictorial image of your work. This can be in the form a printed photograph, a slide or a digital image. If your work is 3-deminsional, be sure to take photos of all sides of the work. Since this image is not going to be used to reproduce the work, a small, low-resolution image will suffice. The image should be large enough to see details of the work, clear and without blurring.

ITEM 2—the title of your work, size, style/genre and when it was finished.

ITEM 3—a brief description of the work (use complete sentences—why will become clear later). Optional—I also like to keep a kind of diary as to what I wanted to achieve, why I chose this image, and what was going on in my life when I created this art piece.

ITEM 4—Keywords to be used when downloading the photo of your art to your web site or other internet media.

ITEM 5—Show and exhibit record is a list of what shows or exhibits were entered, when they took place and if the art won awards.

ITEM 6—wholesale and Retail price. This is probably the hardest thing for an artist to decide on—how much to charge for an artwork! What is the difference between Wholesale and Retail? Wholesale is always lower than Retail. Your wholesale price at a minimum should cover the cost of what it cost you to create the art, plus any gallery commission fees and hopefully with a small profit margin. Retail price for an art piece should cover all this plus what you as an artist feel the art is worth. I realize this is very subjective but most of art issubjective.

ITEM 7—Incidental information such as the date you formally copyrighted the work, cost of the copyright, etc. More about copyrights later in the Copyright section.

ITEM 8—If you had limited editions of a painting or photograph or copies of a sculpture made, when, how many , how much it cost to make them, how many sold and how much you made when you did.

ITEM 9—the date you sold the original art and the name and address of the Buyer.

Learn More

DO I NEED INSURANCE?

Published February 16, 2019 by Gail Daley Writer & Artist

If you have a professional studio or gallery outside your home you probably will need additional coverage for fire and theft for that space. If you have events (open gallery nights, art shows, classes, etc.) then you will probably also need liability insurance to cover anyone attending events there. You should discuss the amount of coverage you will need with your insurance carrier.

DO I NEED ADDITIONAL COVERAGE IF I AM WORKING OUT OF MY HOME? 

The answer to that is maybe. Unless your homeowners insurance has an exclusion forbidding you to work out of your home, you probably are covered for fire and theft since the art you create can be considered personal property. If you need to make a claim, the carrier will require documentation. That is why it is important to keep good records of what you painted. You should consult your insurance carrier as to how much they will cover for each art piece. Don’t make assumptions and get stuff in writing!

HOW DO YOU FIND AFFORDABLE ART INSURANCE COVERAGE?

Your regular carrier might not have contacts in this area; However, Local art groups have to carry event insurance for their art shows. Get in touch with them and ask for a referral to their insurance carrier. The carrier they are using may be a lot less expensive than someone unfamiliar with this type of coverage.

QUESTIONS TO ASK THE CARRIER

What protection do I as a vendor need for my art and my possessions?  What protection do I need if someone is hurt within my stall? What protection does the venue carry for fire, theft, personal liability? What about fire or other damage caused by an accident in another person’s booth that then adversely affects mine? Ask all the “what if” questions you can think of and then make your own determination about participating. Also, check into whether there is an insurance contract and what the terms of the contract may be before signing and have your own insurance agent look it over first as well as an attorney if there are things you don’t understand. Never assume, always ask for clarifications and get them in writing.

If you are displaying your art someplace like a restaurant, gallery or other space, most likely you will need to make arrangements with the owner regarding theft or damage to your art. My carrier won’t cover my art outside my home unless I want to pay big bucks, which I can’t afford. A lot of art shows carry riders to this effect also.

INSURANCE REQUIREMENTS FOR BOOTH EVENTS:

Questions concerning the actual amount and type of insurance you might need for a booth event (art fair, etc.) cannot be answered by anyone other than your insurance carrier. At a minimum you probably want some sort of theft and personal liability coverage but I don’t have any knowledge of what California requires or recommends. The venue holding the event may have requirements for coverage also; they may want a rider from your company naming them as an additional insured for the day of the event. Whatever their requirements are—get it in writing!

Defining Your Artistic Genre

Published June 25, 2018 by Gail Daley Writer & Artist

Abstract/Non-Objective

I was always a little confused as to how certain types of art are placed into certain genres at art shows. For one thing, it seemed to be purely subjective, depending on each artist’s concept of that particular Genre and some art didn’t seem to fit into any division at all! I did find a definition on the internet: “Genre is the general classification of your image.” One of the best examples of saying nothing while seeming to say everything I’ve ever found! Most artists I know seem to classify their art first by the media used to create it and then by the subject matter. For instance, many artists will describe their work as a “watercolor landscape” or an “oil still life”. From the internet, I also got a list of what was considered genre classifications. In many cases, the definition of a Genre was very narrow. Obviously, not all images fit into the Genre categories and I found myself taking issue with the clearness of the description of some them as well so I went looking for comparisons of the definitions and sure enough, everyone has a different opinion! Like many fields, the definition of a Genre seems to depend on which expert you consult. I also found about 30 different genres described, with many of them having sub-genres.

Abstract/Non-Objective Art seemed to be images not reflecting pictorial reality as opposed to Realism, which tries to show exactly what is seen. On About.com, I found this 1“In its purest form in Western art, an abstract art is one without a recognizable subject, one which doesn’t relate to anything external or try to “look like” something. Instead, the colour and form (and often the materials and support) are the subject of the abstract painting. It’s completely non-objective or non-representational.” I also found sub-genres in abstract art as well: geometric, figurative, etc. In other words, it did seem to me that anything they couldn’t find a Genre for at art shows got stuck here. Occasionally, I found this category confused with Contemporary art at art shows, which as I later discovered was not the same thing at all! 

A truly abstract work of art is derived from an actual object or things in the real world, something found in nature that the artist has ‘abstracted’.  Abstract art can include abstractions of real-life objects such as trees or it can be non-representational. A non objectivework of art has no ties to any real world objects or things and so it is not an abstraction of anything, it is aptly named, non objective.Non-objective art is a type of abstract or non-representational art. It tends to be geometric and does not represent specific objects, people, or other subjects found in the natural world.

ARE YOU READY TO SELL YOUR WORK OVER THE HOLIDAYS?

Published September 29, 2017 by Gail Daley Writer & Artist

The holidays are fast approaching, and with them comes craft fairs, booth events, and other ways to show and sell your work I call events where you bring your work out and set up a mini art gallery “Booth Events” because usually you will be selling your own work. As a rule, there are 3 types of these events Outdoor, Indoor and Tabletop. Some of these Events will be geared to sell art only; some will allow different types of vendors and you may find yourself set up next door to a food vendor. Outdoor events are usually larger than the Indoor ones and attract a larger crowd.  A Tabletop can be either indoors or outdoors; the main difference between a Tabletop and the others is the space size. Most booth events allow you a 10’ x 10’ space. With a tabletop you have a space about the length and width of a table (usually 8’ long by 3’ wide) to display your work.

Your booth set up should be light and portable, easy for one person to set up in about 20 minutes, and fit into your vehicle along with the products you are planning to sell. To take part in booth events you should have the following items:

OUTDOOR EVENT

Pop-Up booth: Pop-Ups come in several price ranges and styles. Ideally, you will have help setting it up, but I would recommend the E-Z Up brand with the white top because it can be set up by one person. If you have never set up a booth, I advise a couple of practice trials setting it up in your yard before you go out to the event. The best Pop-Ups for displaying art have white tops and straight sides. The white top provides more light to see the art and the straight sides give you somewhere to fasten display racks. You can also purchase sidewalls to hang from the sides of the booth. You will need these if you are taking part in an event that lasts several days; you can use the sidewalls to enclose the booth when you go home for the night. FYI, unless the event has very good security, I wouldn’t recommend leaving your work out, but you can leave your display stands set up inside.

Display stands or racks: You can buy display set-ups from the art supply catalogs; but these can be pricey. However, it is possible to make your own. I bought 8’ wire closet shelving from the local hardware store. Turned on end, they can be fastened together with plastic tie straps or Velcro. The wire bars make ideal places to hang different sizes of art. (This portable shelving can also be made into stand-alone shapes: boxes, triangles and rectangles). For all events, I suggest that sandbags or weighted milk cartons be fastened to the corners to prevent tipping and as additional security for stand-alone shapes.

Portable easels can also be used as a part of your display. The art supply catalogs have some excellent display easels that hold multiple pieces of art and they look very professional. You can also make display easels yourself out of copper, PVC pipe or wood; just make sure they look professional. Remember you are going to be carrying them so they should be very light-weight!

Small fold up tables with a nice tablecloth to hold your cash box and give you a hard surface when making out receipts. They can also be used to display very small or 3-deminsional art, cards, etc. Just don’t make your space so crowded buyers won’t enter it. In addition, if your work is light, cardboard boxes covered by tablecloths or white sheets that reach the ground look very professional and provide a good backdrop to show off your work.

Sandbags or weights to hold down the booth in case of high winds: Weights of some kind are a must. A Pop-Up booth makes a big kite when the wind blows and it doesn’t have to be hurricane strength either. You need about 20 to 30 lbs. on each corner. Many booth events are on blacktop so you can’t use the handy stakes that come with the Pop-Ups to secure your booth against winds. Sandbags are available either from the Art Supply warehouse where you got your Pop-Up, or from the hardware store where you can also obtain clean, dry sand. You can also fill empty gallon milk cartons and use the handle to fasten to the legs of the booth.

Cash box: a locking cash box to keep change for cash sales and checks can be bought at the local office supply store.

Chair to sit in; while you will be spending a lot of time on your feet, it’s nice to have a place to sit down and relax so potential buyers don’t think you are just waiting to pounce.

Your work and any other items you plan to sell: Plastic boxes with good, snap-lock lids work really well to transport small items. They are waterproof and if you are doing a lot of events they hold up much better than cardboard. If you are going to be carrying your product in a pickup bed, make sure the lids of the boxes are fastened down and won’t blow open (bungee cords work well here). You will need either bubble wrap or some type of padding to wrap around or separate delicate items. For larger pieces of art such as framed paintings or photographs, I recommend that you carry them inside your vehicle (in which case they can be separated by large pieces of foam board or cardboard to prevent scratching the frames), or wrapped in bubble wrap. The thing you are most looking to prevent is damage caused by the items moving around when you stop, start and turn the vehicle. I also carry either a large, wide-tip marker in either brown or black to touch up frames.

A hand truck or dolly: You may have park some distance from your booth set up. While most places allow you to drive into the event area to set up your display, it might not be feasible for you to do so. A hand truck or dolly will enable you to haul your art, display stands and Pop-Up into the area without having to transport everything a piece at a time. This is a big plus because you may have a limited time in which to set up your booth.

A way to take debit or credit cards: If you want to make sales over $20, you will need either an I-Pad, I-Phone or some other brand of smart phone and the APP enabling either Square technology or PayPal. Both companies provide  a small square you can order off the internet free, attach it your smart phone  or tablet It’s small, portable and easy to learn to use. The company takes a small percentage of each sale as a fee (2.75% per swipe) and the money is in your account the next day. The site is https://squareup.com/  or https://paypal.com check it out. Although other companies are beginning to develop this tech these both have a proven track record.

Sales Receipts, a calculator and bags: A receipt book is a handy way for you to keep track of cash sales. Don’t spend a lot on the bags; you can get small paper bags and larger plastic ones with handles at the local Dollar Store. A small printing calculator because some customers who buy large ticket items are going to want a printed receipt, even if you are also e-mailing them one.

INDOOR EVENT

Requirements for an Indoor event will be slightly different. Some indoor events will allow you a 10 x 10 area, but you may find the spaces allotted aren’t exactly that size or aren’t square, so there will be difficulty fitting the Pop-Up frame into the space. In addition, the top cover will keep the overhead lighting from coming through, and the ceiling in the room may not be high enough to accommodate your booth. Even if the cover is white, poor lighting will make your booth dark and unattractive. if the canvas or vinyl cover is removable and the ceiling is tall enough, you might still be able to use only the Pop-Ups frame.

Stand-alone display racks are best for an indoor event. I use the same 8’ wire closet shelving from the local hardware store I used for the outdoor event, except that I fasten them together in a shape instead of to the booth. An indoor event is more likely to be crowded than an outdoor one, so to prevent accidents if your display is bumped, I suggest that sandbags or weighted milk cartons be fastened inside the shape to prevent tipping if someone does bump into the display. However, you can purchase this type of display from Art Supply catalogs and warehouses.

If you use portable easels to display your work, they can serve the same function indoors as they did outdoors.

You will also be able to use the small tables with a nice tablecloth used in your outdoor display

TABLETOPS

If you do a lot of Church or School sponsored Boutiques, a Tabletop Event is the most common type. At a Tabletop, you are probably going to be given just enough space to set up one 8’x2.5’ table with room for a chair behind it, so be prepared to cut your display down and bring only what you consider the most “sellable” items.

When I go to an event, especially an Indoor event, I always ask for access to electricity. Since space is usually at a premium it is difficult to display a lot of large art so I seldom take many large pieces of art to these events anymore, instead I take a plug-in digital picture frame (you can do the same with either a laptop or a tablet) loaded with photos of my work. I have a power point presentation showing my work set to music. The moving slide show and music attract a lot of attention and I can display more art.

Remember to have fun and talk about your work.

Good Luck

Gail

Using Celebrities As Art Subjects

Published March 20, 2017 by Gail Daley Writer & Artist

The Practical Artist’s Blog

http://www.thepracticalartist.com/the-practical-artists-blog.php

Have you ever been tempted to include a celebrity portrait in your art portfolio? Say you are entering a theme show and there is a celebrity whose very image just screams “I am this theme” i.e. General Patton or Pappy Boynton for WWII, Clint Eastwood or John Wayne for western art, Mohammed Ali, or an Olympic swim star for a sports theme, etc.? Well if you do use a celebrity without gaining the proper permissions, you could be sued for copyright violations under something called “the right of publicity” laws.

I became curious about this when a young artist used a drawing of a western icon as an entry in a local art show. I remembered reading about the case of a company being sued when they used President Obama’s image advertising a product on their billboard. I did some on-line investigating and found some interesting information. I discovered that public figures could actually copyright their image under some state copyright laws. This was especially informative to me because I had always thought that copyright was a federal law, not a state one. In my research, I discovered that both are true. In other words, you have federal copyright laws and the states can make additions to these laws that could affect us as visual artists. Copyright law may also vary from Country to Country.

What exactly are the rights copyright concerning publicity laws in regards to public figures? Public figures include politicians, celebrities, and any other person who has put themselves in the public spotlight or has greater than normal access to the media.

Wikipedia: http://en.wikipedia.org/wiki/Personality_rights, defines these laws, as “The right of publicity, often called personality rights, is the right of an individual to control the commercial use of his or her name, image, likeness, or other unequivocal aspects of one’s identity. It is generally considered a property right as opposed to a personal right, and as such, the validity of the Right of Publicity can survive the death of the individual (to varying degrees depending on the jurisdiction). In the United States, the Right of Publicity is a state law based right, as opposed to federal based right, and recognition of the right can vary from state to state. The Celebrities Rights Act was passed in California in 1985 and it extended the personality rights for a celebrity to 70 years after their death.” There are other portions of California’s privacy laws to protect non-celebrity individuals but they not the subject of this blog and may be covered later.

Further reading tells me that even if your artistic source matter is a photograph taken by you of the celebrity or public figure in question, you might still be liable for violation of the right of publicity act if you invaded the privacy of the person in question to obtain the reference photo. An individual’s right of privacy or publicity is infringed when their name, voice, signature, photograph or likeness appears in a work of art and (a) can clearly be recognized as the subject shown in the work, (2) the subject has not consented to their image being used, and (3) the circumstances under which the photo was taken fit one of the following scenarios. Invading the subject’s privacy by encroaching into their private affairs. This covers events occurring in private or semi-private places: i.e. someone’s home or an invitation only event. Invading the subject’s privacy by the public disclosure of embarrassing facts not generally known. For instance if you take a photograph of a celebrity and then use the photo to paint them in the nude, or publish a photo of them embracing someone not their spouse this might be construed as being invasion of privacy. Invading the subject’s privacy by commercial appropriation. Using President Obama’s image to sell a product on the billboard was a clear example of this type of invasion.

Now I am not a lawyer, but common sense tells me why take the chance? Even if you win, a lawsuit is expensive and time-wasting and just being dragged into court over something like this could damage your reputation as an artist. If you would like more information on this subject, there are several good sites on the internet.

 

http://www.avvo.com/legal-answers/can-i-sell-my-own-artwork-depicting-a-celebrity–435063.html

This is a Case out of New York State concerning a sculpture using Cheryl Teigs legs in a sculpture. Recent verdicts expand artists’ rights in celebrity depiction …

http://www.owe.com/resources/legalities/7-issues-regarding-use-someones-likeness/

 

Eggs & Rabbits For Easter – How Did That Happen?

Published March 6, 2017 by Gail Daley Writer & Artist

We live in the world so we can’t help being influenced by it. Do you find yourself painting seasonally? By this, I mean are you inspired in the spring to paint flowers or using an amber themed pallet in the fall. Since it is getting close to Easter, I thought I would include some information about traditional ‘Easter Art’. Most of the “Easter Art” I found when I researched this blog was of two varieties. The old masters of course painted images of Jesus and the Resurrection. This is not surprising when you consider that a lot of art back then was commissioned by the Church. The card industry has been trying to establish the idea of sending cards for Easter for years. Vintage Cards usually had Angels, Easter Bunnies or kittens (when did they arrive in Easter traditions?), huge eggs and sometimes chickens. Like the kittens, I suspect they were included for their “cuteness” not because they are traditional subjects for Easter. Easter traditions are long and varied; on the one hand, we have the resurrection of Jesus Christ (Christian), Passover (Jewish), and the Spring Equinox (Pagan). Many families only attend services on Easter Sunday (Oh, excuse me the new PC is “Resurrection Sunday”). The new PC form is an attempt by Christianity to distance itself from Easter’s pagan roots. When it was first being established, Christianity found it expedient to co-opt some pagan celebrations and incorporate them into the new religion. Traditionally Easter is celebrated on the first Sunday after the full moon, very close to the Spring Equinox. In old Europe, the prevailing spring festival was a Saxon fertility celebration in honor of the Goddess Eastre, (earlier spelling was Eostre, derived from the Saxons’ Germanic heritage) a Teutonic goddess of dawn, spring and fertility, whose sacred animal was a hare. The hare is often associated with moon goddesses; the egg and the haer (old spelling) together represent the god and the goddess, respectively. Pagan fertility festivals at the time of the spring equinox were common—it was believed that at this time, male and female energies were balanced. One of the main reasons the new Christian religion disapproved of the spring equinox celebration so much was the belief (not entirely unfounded) that it encouraged a freewheeling orgy.

Colored eggs, which we also associate with Easter, are of an even more ancient origin; eggs have been symbols of rebirth and fertility for so long no one can say when this tradition began. So where did modern traditions come up with the idea of a rabbit who brings eggs? There is a myth that says the goddess Eostre was passing through a forest one winter and found a bird dying in snow from hunger and cold. In pity, she turned the bird into a hare because hares have warm fur and can supposedly find food more easily than birds. Poor science here, but it sounds nice; The rabbit survived the winter and when spring came, it laid eggs because it used to be a bird (obviously, the change had been only skin deep). The appreciative Rabbit then decorated the eggs it laid as a sign of gratitude to Eostre. German settlers in Pennsylvania brought the tradition of seeking decorated Easter eggs with them to America and the Easter Egg Hunt was born.

Like Thanksgiving and Christmas, Easter has its traditional food; Ham, special breads, and of course Chocolate. Easter egg hunts were fun as a child, but I do remember that my mother refused to allow us to eat the eggs because they usually had been lying out unrefrigerated and she was afraid of food poisoning. It’s no wonder really that merchants keyed in on these fears and decided that Easter was an untapped gold mine (gold foil that is). They began wrapping chocolate bunnies and eggs in colorful wrappings and the Cadbury Easter Bunny was born. The toy makers couldn’t let this slide of course so they began marketing plastic eggs that could be stuffed with other candy and Easter baskets with toys. There is also the Easter Parade held in almost every town. Then of course, there is the fabled Easter Bonnet. As a child, I always got a frilly hat and a new dress for Easter, which was dutifully worn, to the family get-together on Sunday afternoon.

 

All these items are infinitely usable as subjects for art; food such as eggs, ham, chocolate bunnies make good still life set-ups. If you are into figure are, children hunting Easter Eggs make a great subject. Or if you really want to get into the theme, there is always the resurrection or spring equinox as subjects.

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